The Visual Presentation and Cultural Expression of Natural Textiles in the Context of Art Design

Zhengbin Huang, Xuejun Zhu

Article
2026 / Volume 9 / Pages 168-181
Received 13 October 2025; Accepted 11 November 2025; Published 27 January 2026
https://doi.org/10.31881/TLR.2026.168

Abstract
This study examines the visual properties of natural indigo-dyed cotton and seeks to establish a quantitative relationship between traditional dyeing processes, the resulting textile aesthetics, and their role in contemporary cultural expression. Employing a systematic experimental methodology, the research integrates real-time chemical monitoring (Oxidation-Reduction Potential [ORP] and pH) and standardized post-processing (soaping) to ensure chromatic purity. Samples of 100% cotton fabric were subjected to varying numbers of immersion cycles (5, 10, 15, and 20) in a natural indigo vat. Visual outcomes were characterized using spectrophotometry (CIELAB values) and scanning electron microscopy (SEM) to analyze surface texture. The results demonstrate a strong correlation between the number of dyeing cycles and the fabric’s visual attributes: increased cycles resulted in greater color depth (L* values decreased from 45.3 to 24.3) and enhanced blue saturation (b* values shifted from -24.8 to -36.5). SEM analysBuaisou and Story mfg., the research explores how quantifiable visual attributes—such as color unevenness and unique surface texture—function as physical manifestations of cultural narratives, including craftsmanship, sustainability, and local identity. This study bridges material science and design theory, providing empirical evidence that the visual presentation of natural textiles is an essential medium for cultural expression in contemporary design.

Keywords
indigo dyeing, natural textiles, visual characterization, cultural expression, surface morphology